The Baths of Caracalla in Rome

 Luxurious bathing culture in ancient Rome

The Baths of Caracalla in Rome are one of the most spectacular public baths in ancient Rome. Feel how the ancients relaxed and enjoyed life here.

-Historical background of the Baths of Caracalla

The Baths of Caracalla were built in 216 AD by the Roman Emperor Caracalla. It is not only a bathing place, but also a social and entertainment center. The ancient Romans would bathe, exercise, read, socialize, and even conduct business activities here.

-Spectacular architecture

When you enter the Baths of Caracalla, the first thing that catches your eye is the huge architectural ruins. Although many parts no longer exist after thousands of years of wind and rain, you can still feel the grandeur of the year. The baths are divided into cold water pools, warm water pools, and hot water pools, each of which is spacious and exquisite. In addition, there are gyms and reading rooms for people to exercise.

-Exquisite mosaic floors

The floors of the baths are covered with a large number of mosaics, with exquisite patterns and colorful colors, showing the superb skills of ancient Roman craftsmen. These mosaics are not only beautiful, but also a vivid display of ancient Roman culture. Today, many of the original mosaics are still well preserved, which is amazing.

- Fusion of modern culture

Interestingly, the Baths of Caracalla is not only a monument, but also used for modern cultural activities. Every summer, operas and concerts are held here, adding new vitality to this ancient building. If you come to Rome in summer, don't miss a performance in such a historical scene.

Tips:

1. Visiting time: The Baths of Caracalla are usually open from 9 am to 7 pm every day (last admission is 6 pm), but the specific time may change, so it is recommended to check in advance.

2. Tickets: Adult ticket price is 8 euros, and there are discounted fares for EU students and seniors.

3. Transportation: You can take the subway line B and get off at Circo Massimo Station, and walk about 10 minutes to arrive.

4. Notes: It is recommended to bring sunscreen and a hat when visiting in summer, and dress warmer in winter.

The Baths of Caracalla are not only a witness to Roman history, but also a reflection of the wisdom and lifestyle of the ancient Romans. Walking here, you can deeply feel the luxury and greatness of ancient Rome. I hope my sharing can inspire your interest in ancient Roman culture. Come and check in!

Finally, remember to like, collect and follow me to learn more about Rome travel tips!

Ancient History 

A Star-Studded Moment at Cannes

A Star-Studded Moment at Cannes

The 1962 Cannes Film Festival was a particularly glamorous event, made even more so by the presence of three iconic stars: Sophia Loren, Alain Delon, and Romy Schneider.

A Meeting of Titans

Sophia Loren: The Italian actress, known for her voluptuous beauty and dramatic performances, was at the peak of her career. She brought a Mediterranean sensuality to the red carpet.

Alain Delon: The French heartthrob, with his brooding intensity, was the epitome of European cool. His presence added a touch of masculine allure to the event.

Romy Schneider: The German-born actress, already an established star, represented a different kind of beauty - youthful, fresh-faced, and undeniably charming.

A Photographic Moment

The trio together created an unforgettable image, capturing the essence of European cinema at its height. Their combined star power and individual styles made them a focal point of the festival.

The Cultural Impact

The image of these three stars together has become an iconic representation of the golden age of cinema. It encapsulates the glamour, style, and talent that defined the era. Their presence at Cannes solidified their status as international superstars and contributed to the festival's reputation as a global showcase for the film industry.

This particular moment in time continues to fascinate and inspire, serving as a reminder of the enduring power of cinema and the stars who graced the silver screen.

Classics of Hollywood 

Angelina Jolie stars as famed diva Maria Callas in Pablo Larraín's Maria (2024 Film), which will premiere at the 81st Venice International Film Festival on August 29, 2024, where it will compete for the Golden Lion.

 Angelina Jolie stars as famed diva Maria Callas in Pablo Larraín's Maria (2024 Film), which will premiere at the 81st Venice International Film Festival on August 29, 2024, where it will compete for the Golden Lion.

Based on true accounts, the film will tell the tumultuous, beautiful and tragic story of the life of the world’s greatest opera singers, relived and re-imagined during her final days in 1970s Paris. With the independent production having signed to a SAG-AFTRA interim agreement, the shoot is now set to start, and will take place over eight weeks in Paris, Greece, Budapest and Milan.

Alongside Jolie, the cast also includes Pierfrancesco Favino (Adagio, The Hummingbird), Alba Rohrwacher (La Chimera, Hungry Hearts), Haluk Bilginer (Winter Sleep), Kodi Smit-McPhee (The Power of the Dog, Elvis) and Valeria Golino (Portrait of a Lady on Fire, Caos Calmo).

The script, which was completed prior to the WGA strike, is written by Steven Knight (Spencer, Peaky Blinders, Eastern Promises). Producers include Juan de Dios Larraín for Fabula, Jonas Dornbach for Komplizen Film and Lorenzo Mieli for The Apartment, a Fremantle Company. Worldwide sales for Maria will be handled by FilmNation Entertainment.

“I am incredibly excited to start production on Maria, which I hope will bring Maria Callas’s remarkable life and work to audiences all around the world, thanks to the magnificent script by Steven Knight, the work of the entire cast and crew, and especially, Angelina’s brilliant work and extraordinary preparation,” said Larrain, who recently premiered his dark comedy-horror El Conde in Venice.

According to the producers, Jolie’s costumes in the film are based on original garments worn by Callas. The production has consulted with animal rights groups including PETA regarding the use of vintage fur items worn in the film from costume designer Massimo Cantini Parrini’s archive collection. A conscious decision was made not to use or source any new fur.

Gerhard Santos