Igor Stravinsky and Sergei Diaghilev at Croydon Airport, London, England. 1926
“The relationship between Igor Stravinsky and Sergei Diaghilev was one of the most influential artistic collaborations of the 20th century. Diaghilev, a Russian impresario and founder of the Ballets Russes, played a pivotal role in Stravinsky’s rise to fame, and together they revolutionized the world of ballet and modern music.
Early Encounter:
• Diaghilev first encountered Stravinsky’s work in 1909 when he heard some of Stravinsky’s orchestral compositions. Impressed by the young composer’s talent, Diaghilev commissioned Stravinsky to orchestrate works by other composers for his Ballets Russes.
• This led to a fruitful partnership, beginning with The Firebird (1910), Stravinsky’s first major ballet score for Diaghilev’s company. The success of The Firebird cemented Stravinsky’s reputation as a composer of cutting-edge, modern music.
Collaboration on Major Ballets:
• Petrushka (1911) followed, another milestone in Stravinsky’s career, which was notable for its innovative orchestration and rhythms. Diaghilev’s encouragement allowed Stravinsky to experiment with unconventional ideas.
• The most iconic result of their collaboration was The Rite of Spring (1913), which premiered in Paris under Diaghilev’s direction. The piece’s radical musical structure and dissonant harmonies, coupled with Vaslav Nijinsky’s avant-garde choreography, caused a riot at its premiere. Despite its controversial debut, The Rite of Spring became one of the most important works in the history of music and dance.
Personal Dynamics:
• Their relationship was built on mutual respect, but it was also complex and often turbulent. Diaghilev was a visionary, but also a controlling impresario, while Stravinsky was fiercely independent. Diaghilev’s high expectations and demands sometimes led to clashes, but he also gave Stravinsky the creative freedom to push the boundaries of music.
• Over time, Diaghilev became a father-like figure for Stravinsky, especially in the early years, offering both financial and moral support. In return, Stravinsky gave Diaghilev some of his greatest artistic achievements.
Evolution and Final Collaboration:
• After their initial run of ballets, their collaboration became less frequent, but they reunited in the 1920s for Pulcinella (1920), which marked a significant stylistic shift for Stravinsky towards Neoclassicism. This work, based on 18th-century music, signaled a departure from his earlier modernist tendencies.
• Their final collaboration was on the ballet Les Noces (1923), another innovative work that integrated Russian folk music and modernist approaches. After that, the two artists drifted apart as Stravinsky explored other artistic avenues and Diaghilev’s Ballets Russes began to decline.
Legacy:
The partnership between Stravinsky and Diaghilev was transformative for both ballet and music. Diaghilev helped Stravinsky reach international prominence, while Stravinsky provided Diaghilev with the groundbreaking scores that made Ballets Russes legendary. Their collaboration produced some of the most influential works of the 20th century, leaving a lasting impact on modern art.”
