Vasilis Asimakopoulos, bass |
Athens, Wednesday, January 29th. The
Hellenic Literary Society with the Historical and Ethnological Society of
Greece presented successfully the opera "Olympic Flame" of
Greek-Canadian composer Panagiotis Karousos in the Old Parliament Building of
Greece.
Nathanael Pavlos, president of the Society of Hellenic Literary Society had a speech about the contribution of composer Panagiotis Karousos in the arts and the Society and included the performance to the 80th years celebrations of the Society that will be during 2014.
Nathanael Pavlos, president of the Society of Hellenic Literary Society had a speech about the contribution of composer Panagiotis Karousos in the arts and the Society and included the performance to the 80th years celebrations of the Society that will be during 2014.
The lyric tragedy
based on "Trachiniae" by Sophocles impressed the audience. The
success of the presentation among the creators fine music composition goes also
to the excellent direction of bass Vasilis Asimakopoulos that had the leading
roles of Hercules and Hyllus. As Hercules, bass Vasilis Asimakopoulos, gave a
strong and impersonal as it should be for a hero who is currently away from the
trivial common human emotions at the height of his earthly glory.
Irene Konsta, Vanessa Kalkani |
In the role of Hyllus
Vasilis Asimakopoulos interpreted with spontaneous musicality the aria «Last
night in the darkness", and was very theatrical in the last scene of the
suicide of Deianeira. Mr. Asimakopoulos understood completely the importance of
Hyllus as a tragic figure. Hyllus the son of Hercules and Deianeira was in
front of family issues in dark suspense. The mother killed the father with the poisonous
dress.
He doesn’t know
what to do; this is the same question in Shakespeare’s Hamlet. The difference
is while Hamlet never gets the answer, Hyllus gets the answer. That makes Sophocles
part of Hyllus even more tragic from all other characters inside the play.
The role of Dejanira performed by soprano Irene Konsta expressively with excellent vocal technique training, She interpreted her passion for Hercules, and with great voice alternations showed the draft of the tragic heroine in Tartarus despair which lead to suicide.
Her Suicide as a natural following of a fatal destiny
seems deliberated, but the force of the act puts us many questions.
The role of Dejanira performed by soprano Irene Konsta expressively with excellent vocal technique training, She interpreted her passion for Hercules, and with great voice alternations showed the draft of the tragic heroine in Tartarus despair which lead to suicide.
Alcmena, Dejanira, Macaria, Hyllus |
In the role of Alcmena
soprano Nancy Papaconstantinou was fine with nice vocal color.
V. Asimakopoulos, N. Papaconstantinou, I. Konsta, V. Kalkani |
The
role of Macaria performed by soprano-coloratura Vanessa Kalkani correctly, and
interpreted the composer’s score with great vocal range and beautiful voice. In
duet Alcmene and Macaria the two sopranos, Vanessa Kalkani and Nancy
Papaconstantinou, did a marvelous performance. The two voices beautifully tied
into the music. Also
Vanessa Kalkani showed her theatrical talent in the murder of Ioli.
The opera "Olympic Flame" takes us into a romantic musical unbridled emotionalism, ecstatic melodies with internal texture. The strange thing is that while he had the emotional coherence result in a passive aesthetic atmosphere instead to immerse us in a dark spooky tale that anything can happen, everything has stopped.
The melodies are the prison that you can not escape, and suicide is perhaps the only way to escape Deianira leaving behind in these haunting melodies all others.
Instead of the Overture, the musicians interpreted the First Part of the Quartet “Virtue” of Panagiotis Karousos. The excellent musicians were Danae Kioupouroglou, flute, Triantafilos Vavatsikos, violin, Dimitris Sideris, oboe and Maria Mazarakis, cello. The pianist Gulnora Tulyaganova with oboist Dimitris Sideris interpreted wonderfully a transcription of the aria "And now alone" from Prometheus.
The opera "Olympic Flame" takes us into a romantic musical unbridled emotionalism, ecstatic melodies with internal texture. The strange thing is that while he had the emotional coherence result in a passive aesthetic atmosphere instead to immerse us in a dark spooky tale that anything can happen, everything has stopped.
The melodies are the prison that you can not escape, and suicide is perhaps the only way to escape Deianira leaving behind in these haunting melodies all others.
Instead of the Overture, the musicians interpreted the First Part of the Quartet “Virtue” of Panagiotis Karousos. The excellent musicians were Danae Kioupouroglou, flute, Triantafilos Vavatsikos, violin, Dimitris Sideris, oboe and Maria Mazarakis, cello. The pianist Gulnora Tulyaganova with oboist Dimitris Sideris interpreted wonderfully a transcription of the aria "And now alone" from Prometheus.
At the end of the
opera all artists had a standing ovation.
Δεν υπάρχουν σχόλια:
Δημοσίευση σχολίου