Τετάρτη 2 Οκτωβρίου 2024

“120th Anniversary of the Passing of a Multicultural Icon- Lafcadio Hearn” Webinar Panel Discussion


 “120th Anniversary of the Passing of a Multicultural Icon- Lafcadio Hearn” Webinar Panel Discussion -

Join us tomorrow live on Sunday, September 29, 2024 at 2 P.M. EST/ Athens 9 P.M. EEST. for EMBCA’s “120th Anniversary of the Passing of a Multicultural Icon- Lafcadio Hearn” Panel Discussion. The panel discussion will be introduced and moderated by Lou Katsos EMBCA’s President. Our distinguished panel will include Simon J. Bronner, Dean, College of General Studies and Distinguished Professor of Social Studies at the University of Wisconsin; Author/Poet Nicholas Alexiou, Professor of Sociology and Director of the Hellenic American Project at Queens College; Assoc. Prof. Dr. Oğuz Baykara of the Bogaziçi University Faculty of Arts and Sciences Department of Translation Studies; and Multi-Media Artist Agni Zotis. To join us live simply click the YouTube link - https://www.youtube.com/watch?v=e6_5J5mSxYI, or click the YouTube image; or later with the same link or image.
Lafcadio Hearn (6/ 27/1850- 9/26/1904) , born on the Hellenic island of Lefkada, is a figure whose life and work epitomize the multicultural experience. His unique blend of Irish, Hellenic, and later Japanese influences, along with his extensive travels and deep curiosity about different cultures, resulted in a rich legacy that transcends geographical and cultural boundaries.
Hearn's early life was marked by a blend of cultures. His father, Charles Bush Hearn, was an Irish surgeon in the British Army, and his mother, Rosa Antoniou Kassimati, was Greek. This multicultural heritage exposed Hearn to diverse cultural narratives from an early age. However, his childhood was also tumultuous; his parents separated, and he was sent to live with his father's family in Ireland. This period of his life was characterized by a sense of displacement and alienation, themes that would later permeate his writings.
At the age of 19, Hearn moved to the United States, where he began his career as a journalist and writer. He lived in Cincinnati and New Orleans, immersing himself in the local cultures and developing a keen interest in African American folklore and Creole culture. His work during this period, including his collection of sketches, "Gombo Zhèbes: Little Dictionary of Creole Proverbs," reflects his deep appreciation for the rich tapestry of cultural traditions in America. Hearn's writings often focused on the lives of marginalized communities, showcasing his empathy and keen observational skills.
Hearn's most significant cultural transformation came in 1890 when he moved to Japan, a country that would profoundly influence his life and work. He initially went to Japan to write a series of articles but ended up staying for the rest of his life. In Japan, Hearn married Setsu Koizumi, a samurai's daughter, and adopted the Japanese name Koizumi Yakumo. This immersion into Japanese society allowed Hearn to experience its culture from an insider's perspective, and he became one of the first Western writers to present Japanese culture to the world with depth and sensitivity.
Hearn's writings on Japan, such as "Kwaidan: Stories and Studies of Strange Things" and "Glimpses of Unfamiliar Japan," are considered classics. He delved into Japanese folklore, ghost stories, and everyday life, capturing the essence of a culture that was, at the time, largely unknown to the Western world. His ability to blend his Western perspective with a deep respect and understanding of Japanese traditions made his work unique. Hearn's portrayal of Japan was not just as an exotic other but as a complex and rich civilization with its own values and aesthetics.
Hearn's multicultural experiences shaped his worldview and literary voice. He is celebrated for his ability to navigate and articulate the complexities of different cultures, fostering greater understanding and appreciation among his readers. His life story, marked by constant movement and adaptation, is a testament to the enriching power of multiculturalism.

Ilias I. Katsos




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